Showing posts with label Leaden Skies. Show all posts
Showing posts with label Leaden Skies. Show all posts

Friday, August 6, 2010

Leaden Skies now Kindle-ized

It's a winning hand!

Leaden Skies joins Silver Lies and Iron Ties on Kindle. Leaden Skies also comes in an Audible Audio edition.
And... here's an interesting hiccup: You can find a less expensive Kindle edition of Iron Ties on amazon, mistitled Iron Tears. Not sure how that happened, but if you want to save yourself a dollar and four cents, check it out.

Wednesday, July 14, 2010

I write like...

I read about the "I write like" site on author Mark Coggins' blog site—Riordan's Desk, and just had to try it for my own books.

First up, the opening two pages from Silver Lies:

I write like
Mary Shelley

I Write Like by Mémoires, Mac journal software. Analyze your writing!



Well, that's interesting. How about the opening to Iron Ties?


I write like
Vladimir Nabokov

I Write Like by Mémoires, Mac journal software. Analyze your writing!


Really?
Okay, let's try Leaden Skies:


I write like
Vladimir Nabokov

I Write Like by Mémoires, Mac journal software. Analyze your writing!



Nobokov gain??
That's pretty strange. The only thing I've read by Nabokov is Lolita, a novel that made/makes me wince. However, Wikipedia says that Lolita "exhibit(s) the love of intricate word play and synesthetic detail that characterised all his works." I like word play, definitely, and synesthetic detail gets a thumbs up from me.

Time for an experiment.

For the first evaluation of Silver Lies (above), I'd put in just a portion of the prologue. Let's try the whole prologue (luckily, I have all the beginnings for all of my books available to read on my website. Makes copy/paste easy). To my surprise, adding those extra pages nixes Mary Shelley and instead...

I write like
James Joyce

I Write Like by Mémoires, Mac journal software. Analyze your writing!


Now that's a bit daunting.
I surely hope they mean James Joyce as in The Dubliners, and not James Joyce as in Ulysses (a book one needs a map, a trail of string, and a course in Joyce to figure out).

Okay. I have Book Four underway. Gotta check that out.
(I'm almost afraid to do this.)
Let's try the first chapter. (Please, oh please, not some incredibly hard-to-read author of the distant past...)

I write like
Kurt Vonnegut

I Write Like by Mémoires, Mac journal software. Analyze your writing!


Hmmmm. My experience with Silver Lies makes me leery of this pronouncement, based as it is on just a few pages.
I decide to plug in the first three chapters, and see what happens.

I write like
Kurt Vonnegut

I Write Like by Mémoires, Mac journal software. Analyze your writing!


I guess that means my writing is consistent for Book #4, at least throughout the beginning. I like Vonnegut... or did, when I read him (a long time ago now). Wikipedia describes his "voice" as "characterized by wild leaps of imagination and a deep cynicism, tempered by humanism." I'm not sure why Book #4 brings up Vonnegut instead of Mary Shelley/James Joyce/Vladimir Nabokov. But the words flow and the book takes shape, almost apart from me. Or as Vonnegut said: "So it goes."

Saturday, January 16, 2010

Late night dining, 1880s ... or pass the Alka-Seltzer

I recently received an email from a reader of Leaden Skies, who asked:
I am interested in the late hour of the dinners and receptions. Was it normal to hold such events at 10 or 11 PM?
And indeed, Leaden Skies features a couple of late night gastronomic events. I pretty slavishly adhere to what's reported in the newspapers of the day, so can assure you that yes indeed, what appears in the book is accurate. One example is the banqueet held for Ulysses S. Grant during his five-day visit to Leadville in July 1880. The newspapers covered this event in great detail—from the decorations, to the menu, to the speeches afterward (which went on. and on.). The article even includes the hour at which the feasting began (emphasis below is mine):
The dining-room was gorgeously arrayed in evergreens,
flags and flowers. On the east and west walls hung paintings
of General Grant, surrounded with wreaths and evergreens.
Two long parallel tables ranged down each side of the hall,
a third forming at right angles at the head, near the
entrance of the dining-room, capable of seating two hundred
and fifty persons. As the doors of the large dining hall were
thrown open to the guests, sometime after 11 o’clock, the
tables were revealed in all their splendor of culinary decorations—
if this term may be applied—fairly groaning under
their load of delicacies and decorating devices, formed of the
rarest of confections and by the greatest skill, while
arranged in stately order about the tables, were eighteen
waiters in charge of Mr. William McClellan.
As the guests entered the hall, with General Grant in
charge, they were assigned seats at the banquet tables.
The band occupying a position at the head of the banquet,
played an appropriate selection. The banquet was then formally
opened.
So, a couple of hundred people had to file in, be seated, be served ... I'd guess the meal lasted into the wee hours of the morning (2 a.m., maybe?). And we know that the speeches went on for quite a while after that, given how this particular reporter concludes his story:
...By this time the hour had advanced close upon morning.
The feast was over and the speech-making ceased. The General
arising from his chair at the banquet was the signal for
all to retire; and soon the hall was cleared, and the merry
feasters were wending their way homeward just as the gray
light of dawn was lining the eastern sky.
(Of course, at this point, I wondered, "What time was sunrise?" After thrashing around on the internet a bit, I found a site where I could at least determine the sunrise time in Denver, Colorado, on July 24, 1901 (the year 1880 was outside the range of calculation)— 5:50 a.m. So, I'd guess the guests were staggering/straggling home in Leadville, July 24, 1880, sometime around 5 a.m., give or take.

The question remains: Is this late-night dining hour normal??

For more insight, I turned to the arbiter of all things cultural and mannerly for this timeframe (at least, for me):
Our Deportment or the Manners, Conduct and Dress of the Most Refined Society by John H. Young, A.M. In the "Receptions, Parties and Balls" chapter, he says this about supper for balls:
The supper-room at a ball is thrown open generally at twelve o-clock.
According to the book, the sort of repast you'd be facing as the clock struck midnight would probably include the following:
The hot dishes are oysters, stewed, fried, broiled and scalloped, chicken, game, etc., and the cold dishes are such as boned turkey, boeuf a la mode, chicken salad, lobster salad and raw oysters.
Ooof! The most I can handle past 11 p.m. is warm Ovaltine and toast.

In any case, thank you, dear reader, for your question, because I had a lot of fun delving into the answer! Now, I'm off to make my Ovaltine...



Thursday, July 30, 2009

Out and About at Manitou

Well, I sure hoped to get in some historical post before now, but things just got a tad crazy. So, instead, I'll post a couple of photos from my (on-going) trip around Colorado. Right now, I'm in Manitou, and a tad Manitou/Colorado Springs obsessed. Mostly obsessed with trying to find out what was going on during the summer of 1880. My time is ticking away here, and even though I've found lots of good tidbits and intriguing pieces of history (and lots of reference books and resources), the questions keep multiplying.

So.

I took a break and tried to clear my mind a bit. (Well, I didn't forego history entirely. For one thing, I visited the Old Colorado City Historical Center and gathered more historical bits and pieces there for later.)

I visited Black Cat Books today in Manitou ... a really great bookstore! Met Natalie, the bookstore owner. Got her to stand still for a photo (see left ... in addition to books, there is a wine bar). I'll be at Black Cat Books on Saturday, August 1, from 1 - 4 p.m., to talk about Leaden Skies and the rest of the Silver Rush series ... I'm looking forward to it!

The bookstore used to be an dairy in the days of old, and down below (where most of the books are) is where they kept the cows. The whole building is very intriguing ... I plan to take more photos and see if I can determine the date of the building at some point.



Later, I went up Cheyenne Canyon to check out Helen Hunt Falls and Silver Cascade Falls (just a bit further up the trail). Helen Hunt Falls is to the left. This was a favorite place of 19th century author Helen Hunt Jackson. Hmmm. Looks slippery. Could be a good place for a little fictional mayhem.

It was a rainy, cloudy day ... bits of fog hanging about, the air crisp and cool. Thunder. Lightning. Wind. Rain. Great atmosphere. I'm going to try and hold on to my impressions of the weather and the canyon for possible use in book #4.

Thursday, July 16, 2009

Take your chance on winning Silver or Lead

Library Manager/Book Reviewer Lesa Holstine is running a drawing on her blog Lesa's Book Critiques to win a signed copy of either Silver Lies (the first of the Silver Rush series) or of Leaden Skies (the most recent). So, if you're interested in "taking a gamble" on the Silver Rush, head over to her post "Winners and the Silver Rush" and follow her instructions on how to enter. While you're there, you should peruse her book reviews ... You may find a whole more to add to your to-be-read pile!

... And I really do intend to post about 4th of July in Leadville long ago. It's just that some project deadlines have caught up with me as of late. Hope to hit the "all clear" next week!

Thursday, July 2, 2009

Of law and lawlessness in Leadville

Leadville got off to a rough start in the law and order department: In "History of Lake County," R.G. Dill described the situation in 1878 (from the lofty viewpoint of 1881):
The streets and alleys which had come into being with the growth of the town, were the hiding places of desperadoes who waited paitently for the coming of their victims, whom a blow from the bludgeon would put in a condition to be quietly robbed.

One year later in 1879, things are even worse:
Following in the wakes of the wealth which daily poured into the camp, were men whose trades were theft and robbery. To drug a victim, coolly rifle his pockets of every article of value, and throw him into the streets to be arrested for drunkennes, was among the most common ethhods of the thugs who infested the saloons and variety theatres... Men were robbed within the shadows of their own doors; stripped of their valuables in their own bedchambers... and no part of the city was so well guarded as to be safe...
Leadville's first town marshal lasted only a few days. The second lasted three and a half weeks before being shot. The third, Mart Duggan, was a man who, by some accounts, was no better than those he set out to bring to heel. Edward Blair, in his very readable Leadville: Colorado's Magic City, sums Duggan up nicely: "He was not overly concerned with the letter of the law or the rights of the accused. His methods were those of the 'roughs,' and his success was born out of his superior strength, determination, and absolute fearlessness."

The town (or city) marshal was not the only enforcer of law. Leadville also had a police force. in mid-1879, the Leadville Daily Chronicle sums up the typical officer in this manner:
... numbered and branded with a star and turned loose. He has no instructions as to what he is to do, or how he is to do it. He is amendable to nobody nor nothing. Makes arrests when he feels like it, and sometimes tries and discharges his own prisoners. If there is one place in the city where he can find more comforts than another, that place will be well watched.
In early 1880, Leadville appointed a "city collector" from the police force to collect all revenues (saloon licenses and fines of prostitutes and gamblers were the biggest sources of revenue for the city—around $3,500 a month). Some fees were collected by the city clerk and various police officers as well. Interestingly enough, however, it wasn't until October 1880 that the city council finally passed a resolution requiring that all officers collecting funds to account for them.

Hmmm, says I. Sounds like plenty of opportunity for corruption and for said funds to go astray... These mental musings were the genesis of one of the story lines in Leaden Skies.

Next up (because it's that time of year): Fourth of July in long-ago Leadville.






Tuesday, June 23, 2009

The color purple, Leadville, and 1879 travel

The time rushes ever closer to the official release of Leaden Skies. I've received my box of author copies, and my gosh, the dustjacket has quite a lovely tint of lavender (... it's just about the color you see here to the left. Somehow, that tint doesn't come through when viewing the cover online). Looking beneath the dustjacket, the bookboards are the same, with Leaden Skies on the spine in gold script. (I wonder: Am I the only one who peels off the dustcover to check the "real deal" underneath? Anyhow...) All I can say is, Wow! (In a good way, of course.)

So, now, I'm thinking of things Leadvillian. You can check out my News page for a bit about the Lake County Public Library choosing the entire Silver Rush series as their "One Book, One Community" read this summer ... I'm so excited about this, I can't think of much else. But I will. So.

Let's get down to history.

Maybe it was the cover of Leaden Skies, but I was compelled to open up the (purple-covered) reprint I have of Tourist Guide to Colorado in 1879 by Frank Fossett. (I have the original 1879 book as well, but it's too fragile for casual reading. And it's not purple.) Leadville appears in the index more frequently than any other location, including Denver. One of the first mentions is on page 14, in a discussion of the railroads in Colorado, with Denver as the starting point:
To the southwest the Denver & South Park conveys the traveler to the weird beauties of Platte River Cañon, and up through the mountains to where the tide of humanity on its way to Leadville halts to take a fresh start, by stage or footpath...

No foolin' about that tide of humanity. And the toss-away remark about "a fresh start by stage or footpath" provides no clue to the perils and inconveniences involved. The following description of stage travel, provided by Eugene Floyd Irey in his Ph.D. dissertation, A Social History of Leadville, Colorado, During the Boom Days, 1877-1881, pretty much sums it up:
At all seasons the narrow roads were crowded with teams and wagons moving in both directions In the midst of the confusion the traveler found himself in a coach carrying 12 passengers inside and eight outside, lurching either up or down a steep mountain grade. In the summer the entire road was buried in dust and in the winter the blasts from the surrounding mountains brought suffering to all and death to the unprepared.
"Death to the unprepared." Sounds like the title to a book. Or perhaps a short story. Hmmm.

Next time, we'll explore what one seasoned traveler in 1879 recommended as proper dress for a winter journey to Leadville ...




Sunday, May 3, 2009

Leaden Skies gets nod from author Stephanie Barron

Wowzers! I'm interrupting my musings about Malice Domestic to share this blurb from Stephanie Barron (author of the Jane Austen mysteries) re: Leaden Skies. I'm walking on air ... without the benefit of JetBlue!

Parker’s deft evocation of a lost era in Western American history—the life of the mining boom town—and her complex characterization make Leaden Skies an absorbing read. Her final, cliff-hanging sentence will make every reader desperate for the next installment in Inez Stannert’s epic tale. A riveting historical mystery.
—Stephanie Barron


Thursday, April 2, 2009

PW covers Leaden Skies

Yes, Leaden Skies sighted again, this time in Publishers Weekly, March 30 issue. Hope you don't mind if I quote the whole thing, right down to the ISBN, because how often does this happen in a lifetime anyway?

Leaden Skies Ann Parker. Poisoned Pen, $24.95 (298p) ISBN 978-1-59058-577-1

The July 1880 visit of former president Ulysses S. Grant to the mining community of Leadville, Colo., sparks Parker's third mystery (after 2006's Iron Ties), a twisty tale of murder and ambition. Saloon co-owner Inez Stannert is preoccupied with divorcing her missing husband, her affair with the local minister and her secret business partnership with the local madam when one of the madam's prostitutes is first attacked and later killed. Eager to protect her investment, Inez begins to look into the case, confronting mine owners with personal agendas; local politicians; zealous journalists; a mapmaker with a past; a determined mother with aspirations for her wastrel son; a prostitute with family obligations and hopes for a better life; and a ruthless city tax collector, appropriately nicknamed the Hatchet. Parker is proficient in showing the crossroads between civilization and the frontier, including emerging new roles for women. A cliffhanger ending sets a promising stage for the next installment. (July)


I feel like I can now breathe again. I've received some early individual reader/reviewer comments (see previous post), and Publishers Weekly has weighed in, all to the good.

I've heard some authors say they never read reviews of their books, and I wonder ... how do they do it? I could no more ignore/not read a review than I could not sleep. Not sneeze. Not eat chocolate. Doesn't mean I take everything as gospel (because I know that each and every reader approaches a book differently), but to ignore or not pay attention to what they say? A major joy of writing (for me) is telling stories, weaving a tale. And the telling requires a listener, a reader. Otherwise, why not just spin stories for myself. So, to not listen to what readers have to say seems odd. In my day job, I always have the audience in mind. Why should fiction be different?

Writers, readers, what do you think?

Sunday, March 22, 2009

Leaden Skies sighted on the horizon . . .

I always hold my breath until I get the first review on a new book—a review, that is, from someone unrelated to me and not obligated in any way to "like" it (i.e., unbiased data).

So far, three reviews of Leaden Skies have emerged, all written by early readers of the ARC version of the book. LJ Roberts was first out the gate with a review, now posted on Goodreads, closely followed by Diane (both can be viewed here). C.K. Crigger also posted a review on her blog.

I love hearing from readers on what worked and what didn't. I always take the "this didn't work for me" comments under advisement. And, if I see a "pattern" of comments regarding something in particular, I tuck that into my thinking for the future.

Now, in the time-honored tradition of picking out "favorite bits" from reviews to broadcast:
... Parker’s wonderful characters and excellent dialogue enhance the qualities of this book. What really sets it apart, however, is that indefinable voice which makes a particular author such a pleasure to read...I highly recommend starting at the beginning of this wonderful series. —LJ Roberts

This book is the 3rd in a series of historical myteries set in Leadville's boom days. I enjoyed this one (as well as the prior two) and think that Parker does a very good job of transporting the reader back in time.—Diane

...Filled with history, action, and emotional realism, it’s a story that will leave you feeling you’ve made contact with the folks who live in Leadville. There’s never a dull moment; somebody is always trying to take advantage of someone else. Some folks are moral, some not. All are interesting. And the book ends with a darn good cliffhanger, making sure to leave you wanting more. —C.K. Crigger

Sunday, February 1, 2009

The ARC of LEADEN SKIES is IN!


What else is there to say?? Holding the ARC (Advanced Readers Copy, otherwise known as an uncorrected proof) in my hands makes this all real. The story and characters I've dreamt about and sweated over are no longer just bits in my mind or files in the computer, but captured in a bound copy for others to read.

I don't know if folks who have umpty-ump books under their belts get the same jolt as I do on receiving their ARCs, but it's a funny feeling. A combination of "wow!" and "last chance!" as this is my last chance to make corrections and teeny changes.

Time to "clear the decks" as much as possible at home and work so I can give it the eyeball. Alas, I was too late to get my Author's Note included in the ARC, but at least it'll make it into the final book itself. And, the ARC has Michael Greer's lovely map of Leadville and drawing of the Silver Queen Saloon!

Wednesday, January 28, 2009

Author Notes? Do you read 'em?

I am thrashing through the draft of a much-belated Author's Note for Leaden Skies (good thing my notes appear at the end of my books), and have a question:

Do you read Author Notes/Afterwords/whateveryoucallem ... those little essays at the end of books that discuss references, give more background on time/place of a novel/reveal a bit of the author's thinking for that particular book?

See my little survey, off to the left, and let me know.

I've been told reviewers don't read them. I guess I'm wondering about readers in general, and if these notes are worth the fuss and bother of writing them. It does take a fair bit of time to plow through my old notes (e-notes and hard copy), pull together the references I've used, and then try to weave it all into a coherent essay. So, I'd love to know what you think.

Thank you, one and all!

Thursday, January 22, 2009

Letters: Windows to the past (Part 3)

As I will be out of town for a few days, I'm going to try to set up posts to roll out automatically while I'm gone. We'll see if it works, or if they suddenly appear all at once!

Since some folks expressed interest in further excerpts of letters from Leadville, circa 1879, I thought I'd continue along that path for now. Here's a great bit that pretty much sums up the ambience of Leadville during these times, written by George Elder, a young man of about 22 and a recent arrival to town. The letter was written to his mother and is dated September 24, 1879:

. . . We had several dare devil murders the last few days so that some of the inhabitants are bound to keep the excitement up. Murders occur in such a terribly reckless manner that it is uncertain who will be the next victim. Pistols are drawn so quickly and most of them are these self-cockers that are almost as dangerous to the owners as to his enemies. I have lost all fear and it seems to me that a man cannot help becoming like the country out here. I carry my revolver about me in the night time and I do not think the small amount of Quaker blood in me would be any hindrance to my swift and immediate use. No man dare flourish a revolver and threaten to shoot as it is the invariable rule to fire at once and count the cost afterwards. A murderer is safer in Leadville than a Horsethief. . . .


I love to quote this passage in response to the general question of "What was Leadville really like?" Reading this section aloud has its own pleasures as well, in the cadence, the easy way the words roll along, and that wonderfully short, energetic concluding statement (which is oh so "Wild West"):

A murderer is safer in Leadville than a Horsethief.

Now that's something to ponder. As in the passage I quoted in Letters: Part 2, it seems pretty clear that, if young George has the pulse of the town aright, one could easily "get away with murder." Or, to put it another way, the turmoil and upheaval of Leadville during its boom days give an amateur sleuth, such as my protagonist, Inez Stannert, some leeway for exploring crimes that the law—and others of the town—would simply ignore or consider no big deal, i.e., "Who was murdered? No horses were stolen? Well, then, who cares?"

Of course, Leadville wasn't all murderers, con artists, foot-pads, and disreputable women. It had its high society, its opera house, its high-profile visitors, its schools, hospitals, and so on. And that's part of what makes this such a fascinating place and time: people from all walks of life, from all over the world, came to Leadville thinking to strike it rich. And, as we know from the dot-com, real-estate, and stock-market boom-bust cycles, not all get rich. And even those who do, may not hang onto it for long.

Too, when the haves, with money burning holes in their pockets, are rubbing shoulders daily with the have-nots, in a country where simply "getting by" is expensive, where weather is extreme, and everyone is consumed with silver-fever . . . As George noted, "a man cannot help becoming like the country out here." It's no wonder there was occasional casual murder in the streets and numbing desperation and despair in some minds.

Sunday, January 11, 2009

Absolutely Marvelous Map




This map of Leadville, 1880, was created by Michael Greer, Greer Studios, for my Silver Rush series. Isn't it just the coolest thing?? I tried to make it larger in this post, but don't have the technical knowhow. Anyway, I love this map, and am scheming various ways to put it to use. My hope is, it could be included in Leaden Skies. Dani suggested bookplates, which I think is an absolutely nifty idea.

Anyone else think of things I could do with this? Maybe placemats to give away. Or put it on bookmarks. Or postcards. Or . . .

Saturday, January 10, 2009

BCP

BCP is not "bizarre charged particles" (a la science) nor "booze, crime, [and] politics" (a la Leaden Skies) but

Blatant Chocolate Promotion

You see, I give away chocolate when I promote my books (if there's any left over after a signing, they often don't make it home!). So, I'm wondering what kind people like.

Hence, the survey. Over there, to the left. No, further to the left, under my photo. (If you're like me, you probably focused on the chocolate photo and went no further .... :-) ).

Yes, yes, I know, this is a lightweight post. But it's the weekend, and I'd love to see the numbers.

For tomorrow, I have an Absolutely Marvelous Map (AMM) to share with everyone. So be sure to check back then ...

Sunday, January 4, 2009

In full edit mode...

Now that Leaden Skies is off with my publisher (the wonderful Poisoned Pen Press), I'm turning about 90% of my writing/editing focus on projects under contract (the other 10% being reserved for blogs, email, Facebook——which I'm still learning——and such).

I'm editing a nonfiction ms right now and have become quite obsessed. Obsession is necessary, when in full copyedit mode. I'm merciless with dangling participles, subject-verb agreement, anarchic capitalization, questionable italics and quotemarks, so on and so forth. My 15th Edition of the Chicago Manual of Style is getting a workout.

And here's a photo for the season, taken by ice-climber William McConachie. It's the Sierras, not the Rockies, but I can dream... And look at those leaden skies!


photo credit: William McConachie

Saturday, January 3, 2009

What's in a name? ...

... Looking back on my noodling/thrashing around with titles for my Silver Rush mysteries, I've realized that, in all cases, my first attempts have never quite "hit it."

The first book in the series, Silver Lies, started life as Dead in Leadville. Then ... after some thrashing around ... it became Silver Lies in Leadville. That was quickly shortened to Silver Lies.

The second in the series, Iron Ties, started as Iron and Blood, inspired by a quote from Otto von Bismarck:
"The great questions of the time are not decided by speeches and majority decisions. . . but by iron and blood."
Ooooo, I still love that quote. It's perfect for the book. But, Iron and Blood? What is this, a vampire book or ...? Iron Ties was suggested by a reader, and it works.

But.

I could see where this was heading, and I was a little nervous. Silver, Iron. Lies, Ties. Uh-oh. Elements (metals, in particular) and -ies of some kind. How long could I keep this going?

So, for the third, I tried to make a break, and lit on Lead into Temptation for starters. I liked it because (again) of a quote:

"Lead us not into temptation, but deliver us from evil." And temptation and evil are core elements of this third book.

But... there were problems. The word "lead" (the element or the verb?) worked into my love of wordplay, but in a title ... confusing. And perhaps too "romance-y" sounding. So, we had to start considering other possibilities. From Lead to Leaden (no confusion on pronunciation there) and ... oh no, here we go ... Leaden what?

Dies, cries, sighs, eyes ...

No, no, no, no ...

Well, it rains a lot in the book. The weather is a curse, but also a blessing (read the book when it comes out, you'll see). Gray gray skies. There we go: Leaden Skies.

So, the die (-ie?) is cast; I've accepted that the "-ies" have it.

Guess I'd better buy a rhyming dictionary.

Friday, January 2, 2009

Leaden Skies in July . . .

. . . As you may (or may not) know, it can rain ANYTIME up in the Rockies. And, during Ulysses S. Grant's visit to Leadville, Colorado, in July 1880, the weather did everything but cooperate. Rain, sleet, mud, cold ... the weather, according to old newspaper reports, was pretty wretched.

This is just all a lead-in to the announcement (ta-da!) of the next book in my Silver Rush mystery series, titled Leaden Skies, which takes place in Leadville over the five days of Grant's visit and which, serendipitously enough, will be released in July 2009 (let's hope for better weather than Grant had!). To steal the official description:
------
The summer of 1880: although possible investment in Leadville's silver mines is a main reason that former president and Civil War general Ulysses S. Grant is now touring this city at the top of the Rockies, others in his retinue and in town are enticed by other visions. As part owner of the Silver Queen Saloon, Inez Stannert has often observed the ruination that comes from yielding to temptation. Still, that knowledge hasn't stopped Inez from striking a backroom deal with upscale brothel madam Frisco Flo, a deal that Inez gambles will make her financially independent.
--------
And... here's the cover.
Well, sort of.
Ignore the title for now.
Tomorrow, I'll talk about titles, and the transformation of Lead into Temptation into Leaden Skies....